2025. Witelson, D. M. A performance-theory revisit of the conflict scene at the Ventershoek (2927CA1) rock art site. Arts 14(2): 44 https://doi.org/10.3390/arts14020044
2024. Schmid, V. C., Wadley, L., Brandl, M., Guillemard, I., Rhodes, S. E., Taipale, N., Witelson, D. M., Borner, M., Cnuts, D., Hodgskiss, T., Murungi, M., Nigst, P. R., Porraz, G., Puech, E., Rots, V., Stahlschmidt, M. C., Stelzer, S., Teyssandier, N., Tribolo, C., Val, A., van Schalkwyk, L., & Archer, W. Renewed impetus for Stone Age research in the Eastern Free State (South Africa) centred on Rose Cottage Cave. South African Archaeological Bulletin 79(221): 105–119. https://search.informit.org/doi/10.3316/informit.T2025020700004601124794880
2023. Witelson, D. M. Revisiting the South African unicorn: Rock Art, natural history and colonial misunderstandings of Indigenous realities. Cambridge Archaeological Journal 33(4): 619–636. https://doi.org/10.1017/S0959774323000045
2023. Witelson, D. M. Theatres of Imagery: A Performance Theory Approach to Rock Art Research. Oxford: BAR Publishing. https://doi.org/10.30861/9781407356198
2022. Witelson, D. M. Performance theory: a growing interest in rock art research. Time and Mind: The Journal of Archaeology, Consciousness and Culture 15(3–4):313–341. https://doi.org/10.1080/1751696X.2023.2185539
2022. Witelson, D. M. A reappraisal of Walter Battiss’s relative sequence for rock paintings in the Stormberg, Eastern Cape. Southern African Humanities 35: 71–103. https://hdl.handle.net/10520/ejc-nmsa_sah_v35_n1_a3